Reportedly, Escape from Tomorrow is a movie by Randy Moore shot entirely at Disneyland in complete secret using nothing more than "an extremely small Canon camera and some very game actors and crew." Nobody ever stopped the actors from what they were doing, probably because of the "guerrilla style" filming that took place:
To make the movie, Moore wouldn't print out script pages or shot sequences for the 25 days he was filming on Disney turf, instead keeping all the info on iPhones. This way, when actors and crew were looking down between takes, passersby just thought they were glancing at their messages.
Though Moore's actors entered the parks day after day wearing the same clothes, and though Moore was filming with abandon, the production was never shut down by anyone at the parks--in part, the director suspects, because taking out a camera and holding it in front of people at Disneyland is about a natural an act as you can imagine.
Still, Moore worked under some serious constraints, often having to stand with his assistant director across the park and communicating by phone as actors moved in front of his cinematographer, so that it didn't look like a crew was forming.
The movie is described as such:
To attempt to describe the plot of "Escape" is to go down a rabbit hole as disorienting as any amusement park ride. Basically, the film is about a down-on-his luck fortysomething father (Roy Abramsohn) on the last day of a Disney World vacation with his henpecking wife and their two angelic children. As he takes his children to various attractions, the father is haunted by disturbing imagery; he is also, in the meantime (and with his children in tow), tailing two young flirtatious French girls around the park. Airy musical compositions you might find in classic Hollywood films play over many of these scenes, giving a light shading to the darker moments.
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