As most of you know, Matrix Revolutions was recently released. While still a substantial franchise and a guaranteed blockbuster besides, it's undeniable that the phenomenon of all things Matrix has lost considerable steam over the past seven months. Instead of descending upon theatres like the second coming of Christ, expectations for this final film in the Matrix trilogy were somewhat, shall we say, lowered following the measured disappointment with which last May's Matrix Reloaded was received.
In 1999, the original Matrix offered an intriguing concept buttressed with phenomenal special effects and just enough warmed-over philosophy to satiate the intellectual crowd. It was damn cool to look at, and it had been a long time since an action movie inspired debate and conversation beyond the 'Terminator vs. Blade' variety. Warner Bros and the oddly reclusive Wachowski brothers took what was a kickass action flick and spun it into an analogy for the artificialities of 21st century living and a wellspring of moral and philosophical truths. Fans and media alike were more than happy to eat it up.
There was no way that the subsequent films could possibly live up to the hype generated by the original; it's just unfortunate that they had to fail so completely. I know I'm the distinct minority when I say that I enjoyed The Matrix Reloaded; the acting across the board wasn't as strong (never mind Keanu Reeves specifically) and there wasn't much added to the storyline, but some of the new characters were intriguing and the fight scenes still thrilled. It wasn't as strong as The Matrix, but I didn't understand what all the bitching was about. I use the term 'bitching' lightly because, overall, people seemed to tolerate Reloaded as a bridge between the amazing first film and what would be (they hoped) an excellent finale.
What we got, instead, was one of the biggest disappointments in recent film history. One could argue the case of that dreadful Star Wars prequel known as The Phantom Menace, but somehow I find the Matrix's transgressions more offensive. Perhaps I bought into the hype too much, but there seemed to be current cultural and personal relevance in the story these movies had the potential to tell.
Simply put, The Matrix Revolutions sucks. If I was feeling particularly saucy, I might go so far as to say that it sucks balls. Speaking of balls; whilst walking out of the theatre amid the laughter of my fellow cinema goers, I theorized to a friend that the experience of watching Revolutions was probably not unlike having a man hang his testicles over one's face for two hours, during which time one would watch sweat form, pool, and subsequently drop from said testicles into one's eye.
While Reloaded still offered glimpses of the original's intrigue, there is nothing of intellectual value to be gleaned this time around. Someone should tell the Wachowskis that the story of Jesus vs. The Devil was done way better in a little novel called The Bible, and using vague religious references to simultaneously conclude your main plot as well as further complicating certain unanswered/unanswerable subplots isn't good storytelling, it's lazy. Watching this movie reminded me of the event of running into an old significant other: you distinctly remember having strong feelings for them, but damned if you could summon them up again. Without any meaningful dialogue to support them, 'stoic' turns to stupid and characters like Morpheus, Trinity and (especially) Neo are reduced to painfully one-dimensional set pieces who play second fiddle to the FX. During one such soulless interaction between Neo and Trinity, I leaned over and whispered 'You had me at hello' to my friend. Our laughter drowned out the rest of the scene's pretentious dialogue.
Without any interesting plot twists or meaningful dialogue, Revolutions is just another loud action movie. I won't even get started about the fact that it's also disturbingly clichéd. Hardcore fans may try to salvage some entertainment from the fight scenes, but even those feel empty and rehashed in spite of their supposed grandeur. The gunfight-on-the-ceiling scene plays like a minor upgrade to the original's office hallway shoot-em up, and after smirking at Keanu for the majority of the movie, watching Neo and Agent Smith (who, by the way, is one of the few positives this film has to offer) spinning through the air together at the film's conclusion in some sort of cosmic brawl/dance routine seems, well, silly.
The original Matrix's excellence only serves to accentuate the finale's numerous flaws and shortcomings. Everyone is going to watch Revolutions regardless of the overwhelmingly negative reviews (I know I did) with the mentality that it 'can't possibly be that bad'. Unfortunately, if watching Reloaded gave you a sense of longing for the original, shelling out $13 for Revolutions will have you wishing you'd just taken the blue pill and been done with it.
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Hey Warchowski Brothers, call me next time!
I'm disappointed with the lack of time spent in the Matrix... Smith is taking it over? Show it to us! What happens in the Matrix is where you see the magic that makes this whole idea work... most of Revolutions is in the real world. Why not write a brilliant conclusion where the real world and the Matrix each reach climaxes in an intwined and similtaneous way? They managed to do it in Flight of the Osiris (the computer animated section in the Animatrix).
If Neo is going to get all magical in the real world, then it doesn't seem very real any more does it? Keeping it real could have happened by allowing Neo to interact simultaneously in the real world and in the Matrix. If we've got wireless access I'm sure they could have done it for Neo, and drop all of the 'world of fire' imagery that Neo gets into in the no-longer-real world.
Why did Neo have to travel to where he did to do what he did? Anywhere capable of transmitting into the Matrix would have been fine. All this nonsense about the lone hero going on a quest made EVERYONE else in the movie completely meaningless. What was the point of Niobe flying back to the city? Just to die with everyone else? Morpheus, arguably the coolest character in the series ends the trilogy neutered and useless... why? Trinity the warrior dies in a glorified car accident? Heroes deserve a hero's death if they are going to die at all. Morpheus ends the story hiding behind garbage waiting to die.
I've heard a lot of 'bitching' about Revolutions. I wouldn't call it a complete write off, but I also haven't seen too many people offering fixes.
The author of the above review uses an analogy of being tea-bagged by sweaty balls to convey his point of how bad Matrix Revolutions is. In any other case, this analogy would be quite effective. Unfortunately, I know for a fact that the author is a fan of having sweaty balls bouncing off his face, so I am convinced that he did, in fact, enjoy the movie. He is simply pretending he doesn't like it to keep in the good books of the disgruntled intellectuals whom he desperately aspires to be.
Nice try in fooling us Johnny Boy!!!
Much Love,
Adrian